The decisions that steer effective repackaging require skill, experience and, most of all, dedication to your reader.

If you’re looking for additions to your own reading list, the collection that follows may provide some inspiration.

Our head proofreader shares what she wishes all writers knew, what her process looks like, how to focus amid all the distractions and more.

Great editing looks different than you might think.

The best things we’ve read this year—the third annual installment of a tradition we’ve come to love.

Zombie stats are everywhere, and they walk among us mostly unnoticed—but a sharp reader who spots them in your work will immediately discount everything you say.

At TWC, writing about complex subject matter is our job. Here are some lessons we’ve learned about how to do this thorny, important work.

Starting a new piece of writing can be daunting: It’s just you, your thoughts and that incessantly blinking cursor.

“A book is a heart that only beats in the chest of another.” —Rebecca Solnit

These touchstones guide all our writing and editing work—and we think you’ll find them useful too.